Thursday, December 13, 2018

Music played, October 21, 2018

The group enjoyed the wonders of Felix, Ottawa Pianos’ showpiece grand. Many thanks to Mitchell and Ottawa Pianos for giving us this great opportunity.

The music played ranged from frenetic to meditative, with everything in-between. This included two improvisations at the keyboard. And a vocal piece.

In the 'most popular composer' race, we had a four way tie: Beethoven, Chopin, Bach and Rocherelle. In the interest of encouraging new composer, the tie goes to the one person on this list I had never heard of: E. Rocherelle. Congratulations. For those of you who don't know Rocherelle, Wikipedia provides this information: Eugénie Ricau Rocherolle is an American composer, pianist, lyricist, and teacher who began her composing career with choral and band music. She was born in 1936 in New Orleans. She released her first piano solo collection in 1978 with great success and soon established herself as one of the leading American composers of piano repertoire

Round 1:

# Performer Work
1. Gordon and Gregory (duet) Overture to the “Barber of Seville”, by G. Rossini
2. Karin Autumn Leaves, by E. Rocherelle
3. Janice G. Bouree, Minuet and Gigue from the French Suite, by J.S. Bach
4. David Adagio from Concerto in D Minor,, BWV974, by J.S. Bach/Marcello, SoundCloud recording of David playing this piece is here
5. Brent Route 66, by Bobby Troup
6. Jorge Sonata op 13 (“Pathetique”), 1st movement, by L. van Beethoven
7. John W. Free improvisation
8. Caryn Danza de la Moza, by A. Ginastera
9. Mitchell Own arrangement of his own improvisation (in a minimalist style)
10. Sachie Prelude in f# Minor Op. 28, by F. Chopin

Round 2:

# Performer Work
1. Gregory (playing) and Gordon (singing) Climb Every Mountain (Sound of Music), by Rogers and Hammerstein
2. Karin Goodbye Block Island, by E. Rocherelle
3. Jorge Intermezzo, by M.M. Ponce
4. John Norwegian Folk Melody (traditional)
5. David Sonata op 14,#1 (Moonlight), 1st and 2nd movements, by L. van Beethoven
6. Gordon Two preludes: Op 11, no 10, by A. Scriabin
AND Op 28, no 6, by F. Chopin